Album Review: Canal Street Confidential by Curren$y

After already dropping an album and two mixtapes in 2015, 'Canal Street Confidential' is the fourth project from Curren$y (a.k.a Spitta Andretti) this year. His consistency to create and distribute good music is one of the reasons the loyal fanbase loves him so much. But can his new album live up to the expectations? Or does it feel like a rushed cash-in?

Canal Street Confidential

The album features eleven tracks in total. There's also a deluxe edition available with two bonus tracks, but will not be taken into account during the review. The majority of the instrumentals are produced by Purps from 808 Mafia, the other tracks include productions by Cookin' Soul and Cool & Dre, who are known to collaborate with Curren$y once in a while. In my opinion, it always felt as if his other projects were missing some bass-heavy tracks. However, in Canal Street Confidential there seems to be more bass present than usual. Although it still maintains the 'smooth' sounds that are characteristic for Curren$y.

The album also features some popular collaborators, including Future, Lil Wayne, Lloyd and of course Wiz Khalifa. These good friends of Curren$y were specifically asked to contribute, instead of ''anyone who happened to walk in the house that day''. Each of them brings their own sound to the track, giving Canal Street Confidential some nice diversity. The track 'Bottom of the Bottle' featuring Lil Wayne and August Alsina even has a mainstream feel, which got Curren$y some radio plays. It wasn't even on purpose though, the three artists from New Orleans each added their own part and the song just happened. 

Curren$y's performances are once again remarkable, with a flow and delivery that continue to impress. And especially for people who are inspired by his achievements, the lyrics are very relatable. As always it also includes his usual braggadocio lines about bitches, drugs and cars, with the typical humoristic twists. The hooks sometimes lack a little in lyric variety, but despite that they are still memorable in a good way.

It also includes a fun and memorable skit, which acts as an introduction to the track 'Winning' featuring good friend Wiz Khalifa. In the skit, Curren$y tells a little story about their humble beginnings which shows that he doesn't forget where he came from. This little insight adds to the experience that is Canal Street Confidential. The other skit after his solo track 'Cruzin...', as introduction to 'Superstar' (featuring Ty$), feels like it's just there to fill up time though. I would've preferred another verse for 'Cruzin...', since it features one of my favourite instrumentals from the album. However, this little annoyance doesn't change much when looking at the whole package.

Verdict

With Canal Street Confidential, Curren$y maintains his streak of releasing good projects. It includes memorable instrumentals and solid performances from the man himself as well as the featured artists. Overall, it's is a great experience for the die-hard Spitta fans, but it also offers something for every kind of taste. I think me, and a lot of other people will enjoy the album even after Spitta's next project comes out...in like three months.

Do you agree with the verdict? Or do you think Curren$y could've done better? 
Please share your thoughts in the comments!

7 Useful Lessons from the World's Best DJ's and Producers

Nowadays, there are a lot of people trying to get noticed as a DJ or Producer. But the artists that are popular now, had to go through that same journey. Since they already have the experience, there's is a lot that can be learned from these people. Are you always ready to learn? Then take a look at these 7 useful lessons from the world's best DJ's and Producers.

1: DJ Tiësto

''I've always wanted to be a DJ so I could play the music I love for other people. That feeling hasn't changed, but my sets are always evolving.''

If you don't know what you're ultimate goals are, it's hard to make a good plan of action. When setting up your goals, it's important to be honest with yourself, because in the long run these goals will help to challenge you. Part of DJ Tiësto's long successful career, is his ability to set challenges and improve himself.

2: Armin van Buuren

''Who am I? I'm just a humble law student from the Netherlands, who's not into drugs or crazy after partying or making money. I'm just in this industry because I'm really, truly passionate about this music, and I hope that shines through.''

Sometimes you might wonder if you're missing out on a lot of fun by preferring to stay home for once and work on your music. Just remember that all the time spent, might pay off in the end. If you're passionate about what you're doing and you work hard to achieve your goals, people will take notice. Staying humble even when gaining popularity is a great personality trait and will increase your likeability, which can attract even more fans.  

3: Carl Cox

''I've always tried to be creative as a DJ. My schooling came from hip hop era within the hip hop parameters on house music. Always quick mix-ins, quick idea's, quick change in records just to keep the vibe alive, real and exciting. Set the record playing but also put my own soul into what I'm doing.''   

Creativity is very important, but it's also important to be recognizable. A lot of artists can be recognized by a particular sound or phrase, which is part of their own style. You also have a unique style, influenced by your favourite artists and/or genres. It may take time to find your style, but when you do, try to bring this forward as much as possible.
Think about yourself as a brand, what are you famous for?

4: Avicii

''There's always haters, no matter what you're doing - whether they're complaining that everything you do sounds the same, or it's too different.''

Probably one of the most important things to learn, is to believe in yourself. Like Avicii says, there's always haters. Don't let them hold you back from achieving your goals. Issues with self-esteem can hold back the most talented individual from achieving their full potential. Don't take criticism too personal, but also try to gain as much feedback and advice as possible. Maintaining a good balance between this can be stressful, but it will help to keep your head cool when you gain more popularity.

5: Steve Aoki

''It's a really diverse time in music, with all these different DJ's and all these different categories, and we are all taking footnotes from everyone else. There are no real genre boundaries anymore; you can put a trance idea in a trap record - it's not that uncommon.''

The recent developments in EDM certainly open up a whole lot more possibilities for DJ's and Producers. There are hundreds, if not thousands of music genres and sub-genres available to experiment with. Even if you have your own style or a preferred genre, a lot can be gained by learning elements or tricks used in other genres.

6: Skrillex

''The people who I grew up making music with, we've all grown up and become successful in different ways. My manager supported me since I was 16 and believed in me as a musician. He's been there since day 1, and there's so much to be said about doing something with people you love.''

This shows that surrounding yourself with the right people, can make a lot of difference. Although it's important to believe in yourself, working together allows you to learn from and motivate each other. Many like-minded artists are always looking for collaborations, asking around in your network is a good place to start if you want to find them.

7: David Guetta

''Every time I come with an album, I try to do something different. And obviously my life has an influence on how I feel and the type of message I want to give with the music.''

Doing the same thing over and over again can get boring.
On the other hand, changing up your procedure or looking
for innovation can freshen things up, for you as well as your audience. 

Next to that, it's also good to know where your inspiration comes from. So you can tap into that source when it's necessary. Most popular artists can convey certain emotions with their music, which is an admirable skill to possess.


These were 7 lessons from the world's best DJ's and Producers, thank you for reading!
Any other lessons that you learned from DJ's and Producers? Please share them in the comments!

5 Successful Music Producers You Probably Never Heard About

There's a huge amount of succesful music producers active in the business. However, if you would see one walking down the street, you might not recognize them. Therefore, since it's usually the artist that gets all the fame, let's put the producers in the spotlight for a change!

Lee 'Scratch' Perry

The start of his career wasn't very succesful, since financial conflicts caused him to part with two different record labels.

After forming his own record label and releasing the single 'People Funny Boy', which can be regarded as the start of reggae, he finally achieved success. His creativity in the studio, as well as his unique personality, earned Lee 'Scratch' Perry his popularity. 

During the time he was active for his own record label, Lee produced numerous memorable reggae songs and albums.
A wide variety of musicians have collaborated with him, but perhaps the most notable ones are Bob Marley and the Wailers. However, during these years he was under a lot of stress, which caused him to burn his own studio in 1978.

It took almost ten years to get his career back on track again, but he has been succesful ever since. Including winning the Grammy Award for Best Reggae Album in 2003 and more recently featuring as Radio DJ in Grand Theft Auto V. 

Brian Eno

After attending a presentation about non-musicians using tape machines, he became inspired to make music himself. A few years later his professional music career started as a synthesizer player for a glam-rock band. But he quickly grew tired of the rock-star life and disagreements with the lead singer made him quit the band in 1973. This was the start of Eno's solo career.

In the early years of this career, his tendency to use a wide variety of ambient electronic and acoustic elements, earned him his popularity. Since then, Brian Eno is generally regarded to be the first to make 'ambient music'. During his solo career he also produced albums for a large amount of artists, including U2, Talking Heads and Coldplay. 

The list of achievements of his entire career until now is remarkable. For instance, Microsoft even asked him to produce music for Windows 95. for which he composed the start-up sound known as 'The Microsoft Sound'. At the moment, Brian Eno is involved in various projects. 

Danger Mouse

Starting out early with Trip-Hop and Remix CD's, he became well-known after 'The Grey Album' in 2004. This album was created using vocals of Jay-Z's 'The Black Album', backed up by beats made from samples from The Beatles' 'White Album'.

After gaining popularity, he was chosen to produce the Gorillaz' second album 'Demon Days', which released in 2005 and contains tracks like 'Feel Good Inc.' and 'Dirty Harry'. His work on the album earned him his first Grammy Award nomination for Producer of the Year. 

Danger Mouse has collaborated with many different artists, including The Black Keys on the albums 'El Camino' and 'Turn Blue' as well as A$AP Rocky on 'At. Long. Last. A$AP'. But the most notable collaboration is probably the one with CeeLo Green, called Gnarls Barkley. They released two albums of which 'Crazy' became an international hit. At the moment he's working with the Red Hot Chili Peppers on their eleventh studio album.

Babyface

Determined to become successful in the music business since he was in eighth grade, Babyface started as guitarist and keyboardist in various funk and R&B collaborations. His first success came in 1983 when he wrote the song 'Slow Jam' from Midnight Star, which is still regularly being played on various radio stations.

His popularity was greatly increased after being part of the 'new jack swing' movement. This allowed him to co-found LaFace records together with 'L.A.' Reid. Artists of this label include Usher and Toni Braxton. Other notable artists Babyface has collaborated with are Whitney Houston, Michael Jackson, Janet Jackson, Mary J. Blige, Lil Wayne, Beyoncé, among many others. 

Babyface is still active in the business, his most recent success was winning the Grammy Award for Best R&B Album in 2015 with the album 'Love, Marriage & Divorce' together with Toni Braxton.

Max Martin

MMax started out as singer of a glam-metal band called 'It's Alive'. During this time he started producing with Denniz PoP, who thaught him the basics. In an interview with TIME Magazine he once said: "I didn't even know what a producer did, I spent two years--day and night--in that studio trying to learn what the hell was going on." His first huge success was when Max took part in the production of 'Quit Playing Games (With My Heart)' of the Backstreet Boys debut album. 

To date, Max has worked with many other pop artists including, Westlife, Britney Spears, Kelly Clarkson, Katy Perry and Taylor Swift. In total, he has (co-)written and (co-)produced 21 number one singles. This long list includes singles such as "...Baby One More Time" from Britney Spears, "I Kissed a Girl" from Katy Perry and "Shake it Off" from Taylor Swift.

Currently Max is supposed to be working on a number of projects with new artists.

So now you know 5 successful music producers, thank you for reading!
If you liked this, please share with others. Also, if you have any idea's or suggestions for other lists, please leave a comment!

Product Review: Novation SL MkII

A few months ago, another product of Novation was reviewed, so I don't think they need another introduction. But there must be something about Novations' design that sets it apart from others, because even after lengthy comparisons with other brands and models, the preference still went out to the SL Mk II. The model that is being reviewed is the variant with 25 keys, but it's also available with 49 and 61 keys. On top of that there is also a model with no keys, called the Zero SL. There are some small differences between these versions, most notably the presence of a cross-fader on the Zero SL. 

I would also like to note that I have no experience with Mk I, which had two screens. They probably decided to reduce the price with this version and included only one screen, and it works intuitive enough. Two screens would seem like a luxury in this case, since all the functions are displayed by activating the button next to the row, or just touching any of the sensitive pots or faders. It's possible to customize the functions off these features, as well as the buttons and drum pads in the rows below and above them. This is all done by using the Automap software, but more on that later.

First off, there are a total number of thirty-two buttons to assign functions to. One row also doubles as a Transport controller by activating that button from the Settings section. This section also contains buttons to edit and manage templates or global settings.

Next up are two rows of eight pots, from which the top row is endless and surrounded by a LED ring. This is a nice visual extra, which also helps by clearly showing the position it's in. The pots on the lower row are limited and don't have the ring around it. They also turn a bit tighter as compared to the upper row. The tightness is comparable to the eight faders, which are nothing special but get the job done.

The eigth drum pads on the bottom left of the main section, feature a rubber finish, which looks and feels nice. It's even possible to set calibration for the sensitivity of the pads, but even on the lowest settings I still think it takes too much force to activate it. For example, the drum pads as featured on the Launchkey Mini are more to my taste.

Next to the many features and customisation options, the thing that really surprised me the most about the MkII was the FATAR keyboard. The velocity sensitivity is very accurate and the whole thing just feels like a real instrument from the moment the keys are pushed, untill release. Through the inputs at the back of the device, an expression or sustain pedal can be added. This side also contains inputs and outputs for MIDI, and also gives the choice to power with USB or external (9V) power source. 

Two other features that are on the MkII, are the Pitch/Mod Joystick and 'Xpression' Pad which are also completely custom assignable. 
The Joystick is pretty nice (although mine squeaks a little), first of all it allows you to change the behaviour using a switch on the bottom of the device. It can either snap back to the starting position, or remain free on the y-axis. The accuracy takes some getting used to, but can be a great asset during live performances. The Pad however, doesn't really work like you would expect it to. It takes a relatively high amount of force before it registers any movement. As a result it's not very accurate and I wouldn't trust it during a live performance.

The Automap software is where the controller really shines, making it easy to customize and create templates according to your preferences. Just push the Learn button, touch the parameter that needs to be controlled and push the button that you want to assign it to. It's also possible to bring up the Automap Menu, using the View button. From here you can edit any parameter easily using the same steps, but instead it's possible to select a parameter from a list. You can even add more pages to assign functions to, so the only limit to customization is your creativity. 

If you're looking for a good studio controller that has everything you need, I'd definitely recommend the SL MkII. It really freshened up my workflow, and allowed me to pay more attention to the music instead of staring at the screen. The Automap software is supported by most DAW's and allows you to customize every function of the many pots, faders, buttons and pads on the device.

If you're looking to buy it just because of the extra features, I wouldn't recommend it. The extra features all have a great vision behind them, but the execution is a little less. The Joystick is by far the more usefull one, but still misses the accuracy and feel of the keyboard. Although it's hard to match that quality.

Product Review: Propellerhead Balance

Propellerhead is a Swedish company founded in 1994 by three people. The first product they released was called ReCycle, which allowed users to change the tempo of a loop without affecting the pitch. In the years following that, they released several products which were marketed to be used together with Cubase. But in the year 2000 they released their own DAW called Reason, which had many pro's when compared to the competition. In 2009 they released Record, which has won several awards. So most people would agree that they make quality software, but can the same be said about their shot at hardware?

In comes the Balance, equipped with a crazy amount of inputs and outputs. With the standard outputs for headphones and speakers, two mic inputs, two guitar inputs and two keyboard inputs (I think that should do it). Both volumes are adjustable by the two big knobs on the bottom of the device, and turning them feels very smooth.

If there are any devices connected, the ones that are currently active are indicated by a small light. The knobs to the left decide the volume and feel sturdy and lock in place. Even better is that everything can be recorded with a 96kHz sound quality. 

In terms of looks, it's definitely not an ugly duckling. The black finish feels almost like rubber and is soothingly soft to the touch. In my opinion the angle of the device makes it look good on any desk and a quick glance at the device provides an overview of everything you need to know. When all the inputs and outputs are taken, it can be a bit of a cable clutter at the back, but I guess that's unavoidable in any studio.

Good news and bad news for everyone who has become interested in Propellerheads after this review. It seemed that they thought that hardware was out of their league and is therefore offering major discounts off bundles with Reason Essentials. Mine even came with a free upgrade to Reason 7 and free Rack Extensions, so I advice you to look around for the best possible deal!

Pro's 
- High quality sampling up to 96kHZ
- Many different inputs and outputs
- Good design

Con's 
- They don't make them anymore

Product Review: Novation Launch-Key Mini

Product Review

Novation 'Launch-Key Mini' 

Novation is an English company founded in the year 1992 and has been a part of Focusrite Audio Engineering Ltd. since 2004. The company is perhaps most famous for it's software applications 'Basstation' and 'V-Station', which are both included with the Launch-Key Mini that was released recently. These applications have some really cool features, but sadly I can't use them in Reason. However, any other DAW supporting VST plug-ins will run them. Novation also offers a wide variety of hardware equipment, including many keyboards, and some created specifically for optimal use of their own software. An interesting company to say the least.

Now on to the Launch-Key, since most people would agree that it looks really appealing in the picture, with all the colorful lights and what-not. And when taking it out of the box for the first time, it doesn't disappoint. It's really amazing that such a small device could have so many features. It doesn't trade size for functionality which is always a big plus if you travel a lot. The Launch-Key weighs next to nothing and can fit in almost any bag. The lack of weight presumably comes from the housing, which on the bottom looks like some cheap plastic toy. The top has a nice metallice finish though, and remains cleaner and more scratch-free when compared to more expansive hardware.

And since you'll mostly be looking at the top, it doesn't even matter that much. You'll probably be too busy playing with the shiny keys, which feel just like someone would expect them to do, accompanied by a good sensitivity. The drum-pads feel very stable and are easy to get used to. It doesn't seem to register very light taps however, but I presume that is because they are able to withstand a relatively high amount of force. The knobs, although nothing special, feel sturdy. Some people might argue that they are a bit loose, and prefer a tighter feel when turning the knob.

To close off I'd like to warn users of older DAW's, because of compatibility problems. When the Launch-Key was acquired, I was using Reason 5 when version 7 was available. Therefore it took me a couple of days of searching for solutions until it worked. It does however work flawlessy with most, if not all the latest version of DAW's.

• Pro's

Everything in one

Small, easy to travel with 

•  Con's

Older DAW compatibility problems